Thanks you very much.. I been away for 4 months, because of travelling, so i have to get back on. Hope you will like my future posts. - Maya
Adam Panczuk, Actors, 2005-06
Dog On A Pillow, (1994), Joel-Peter Witkin
Simon Larbalestier
Simon Larbalestier (born 1962 in Pembrokeshire, UK) is a photographer who has been based in Bangkok since 2001 and is currently based in England. He retains an interest in decayed textures and unusual juxtapositions of subject matter as well as “empty spaces, desolation and loneliness”.
Joel-Peter Witkin, Arms broken by windows, 1980
My work would have the impact of my unreality - my doubts. I wanted my photographs to be as powerful as the last thing a person sees or remembers before death.
Graduated from the Moore College of Art in Philadelphia, Lee Price proves here what an amazing talent for painting he has. A very realistic tone, based on photographs, he displays all his skills to paint the moments of life of a woman in her privacy.
George Condo, The smiling sea captain, 2006
George Condo, ‘Father and Son’ at Luhring Augustine
Portrait of a Queen by George Condo, 2006, displayed at the Tate Modern London
Fulvia Zambon, (I don’t know the title)
The world in which I live is the scene in which I create. From the inside of my Brooklyn studio I have a few baby carriages and pieces of dolls that live with the sharp presence of deadly conflict in opposite parts of the world. Shortage of food and water, animals skinned alive in the factory for their fur, the horror of the factory farm.
Fulvia Zambon, Jenny’s Tale, 2003
It is important to accurately paint the objects and faces while keeping the setting obscure. This is my way to keep the focus of my work on the subject.
Fulvia Zambon, Mount Cicci Hospital, 2005
Painting baby carriages is not so different to me than painting human forms or abstract images. My process is to find a way to make a widely recognizable object more interesting through the use of color and light.
Fulvia Sambon, Christmas, 52 x 48, oil on linen, 2006.
Today I continue to paint the figure, the involucre of body, dresses without bodies, like missing humans. In the recent past I found three baby carriages in the street. Without creatures inside, these carriages came across my path one after the other. Seeing these carriages on the street in such random places they took the shape of automobiles or a shell. The wheels related with a complicated mechanical system and the frame was the skeleton with a soft interior, like the human body.
